{"id":11328,"date":"2025-08-14T23:03:25","date_gmt":"2025-08-14T22:03:25","guid":{"rendered":"https:\/\/www.talwaldman.com?p=11328"},"modified":"2025-08-14T23:07:56","modified_gmt":"2025-08-14T22:07:56","slug":"recits-tisses-a-la-galerie-design-qurt","status":"publish","type":"post","link":"https:\/\/www.talwaldman.com?p=11328","title":{"rendered":"R\u00e9cits Tiss\u00e9s ( Woven Stories) – at the Qurt design gallery"},"content":{"rendered":"
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R\u00e9cits Tiss\u00e9s – Woven Stories<\/h2>\n
Tal Waldman at Qurt – Launch of designer furniture and textile creations
\nQurt Gallery
\nSeptember 19 to November 30
\nOpening reception: September 19, 6:30\u20139 p.m.
\nAddress: Qurt Gallery, Village Suisse n\u00c5\u00e3100, 12 avenue de Champaubert, 75015 Paris,
\nMetro: La Motte-Picquet Grenelle (lines 6, 8, 10)<\/h4>\n
This project marks the launch of Tal Waldman’s Qurt textile furniture\u2014R\u00e9cits Tiss\u00e9s (Woven Stories)\u2014a functional and poetic piece, hand-painted and designed using the Qurt Storage module. Three wool wall hangings accompany it, as well as embroidered drawings. Tal Waldman’s hybrid practice combines different mediums\u2014including textiles\u2014in an introspective and narrative design approach. She explores textiles as a vehicle for memory, identity, and belonging, revisiting the notion of \u201cat home\u201d through a language of gestures, materials, and symbols.<\/p>\n
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R\u00e9cits Tiss\u00e9s (2025) reinterprets the Qurt Storage module in hand-painted wool. It embodies a poetic synthesis of the R\u00e9cits Tiss\u00e9s series, which explores textiles as a language of memory and a space of belonging. Conceived as part of a nomadic approach, inspired by travels across several continents, the piece combines art, design, and ecology to offer a meditative perspective on contemporary living. Here, textiles become a sensitive medium where function and poetry engage in dialogue.<\/p>\n
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Fibres d\u2019ancrage\u00a0(2025),\u00a0 Ces trois tapisseries en laine peinte \u00e0 la main franchissent la fronti\u00e8re entre tissage et peinture, entre fonction et symbole. Dans l\u2019une, des\u00a0cheveux f\u00e9minins\u00a0m\u00eal\u00e9s \u00e0 la laine tissent un lien intime avec l\u2019histoire ancestrale ; dans l\u2019autre, des\u00a0tiges de
\nbois\u00a0forment une structure tridimensionnelle, incarnant l\u2019ancrage et la tension. Le geste du tissage \u2014 r\u00e9p\u00e9titif et m\u00e9ditatif \u2014 incarne le temps, la patience, et l\u2019entrelacement des r\u00e9cits. En d\u00e9tournant le textile de sa fonction utilitaire, Waldman interroge la limite entre\u00a0objet domestique et \u0153uvre d\u2019art. Ces tapisseries deviennent des\u00a0espaces de passage, \u00e9voquant \u00e0 la fois l\u2019enracinement, le d\u00e9racinement et la renaissance.<\/p>\n
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Anchor Fibers (2025), These three hand-painted wool tapestries cross the boundary between weaving and painting, between function and symbol. In one, women’s hair mixed with wool weaves an intimate connection with ancestral history; in another, wooden rods form a three-dimensional structure, embodying anchoring and tension. The act of weaving\u2014repetitive and meditative\u2014embodies time, patience, and the intertwining of narratives. By diverting textiles from their utilitarian function, Waldman questions the boundary between domestic object and work of art. These tapestries become spaces of passage, evoking at once rootedness, uprootedness, and rebirth.<\/p>\n
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