Publication in the agenda of Point Contemporain

Hasard Dirigé exposition de Tal Waldman

CHANCE DIRECTED TAL WALDMAN EXHIBITION

by François Beauxis-AussaletIn Biarritz,

“The Résidence Galerie welcomes plastic artist Tal Waldman as part of her personal exhibition “Hasard Dirigé”, from April 30 to May 26. Tal Waldman is a polymorphic artist but her common thread remains the drawing. She has lived and studied art, architecture and mindfulness on several continents. His artistic creation focuses on experimentation with different media, bodily gestures and states of consciousness. She explores themes such as collective memory, identity and mindfulness. Winner of several awards, she exhibits internationally in salons, museums and galleries. This dreamlike series of small and medium-sized drawings explores the relationship between chaos and order, highlighting a process of “directed chance” in my gestures, between control and letting go. A movement that questions the place of chance and the subconscious as a tool of creation. The final design is woven into both unpredictable subconscious actions and controlled actions in a new order with possible new relationships between the two forces. Inspired by the spiritual dimension of determinism, kinesthetic calligraphy and stochastic art, the boundaries between the sacred and the secular are explored using intuitive and symbolic language. The use of gold refers to the sacred arts of enlightenment and my past studies of miniature painting in India. “

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MEMBRES SALE WITH KAZOART – 25 TO 29 MARCH

LINK TO SALE

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UPCOMING EXHIBITION HEADING SOUTH!

UPCOMING PERSONAL EXHIBITION IN MAI- AT THE RESIDENCE GALERIE, BIARRITZ .

From the 4th to the  29th of mai in the Résidence galerie, 1 bis, rue Gambetta in Biarritz.

Please register for the visit here : https://www.residence.gallery/prise-de-rdv

 

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A new article – Open Eye Février 2021 – “Tal Waldman visualise the invisible”

Open Eye Février 2021 – “Tal Waldman visualise the invisible”

A new article by François Beauxis Aussalet for the online photography magazine on my artistic creation process and the use of photography

https: //openeyelemagazine.fr/tal-waldman-visualiser-linvisible/

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HAPPY NEW YEAR 2021!

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Launch of the WET and OUT 2020 collection with W&D

This week my new designs for the Out and Wet 2020 collections launched with W&D in an amazing new virtual museum. The new virtual kingdom!

A memory of home:

Confinement touched us all, closed in our spaces our mind kept on traveling before slowly withdrawing and finding quiet. Passed experiences emerged in images, colours, fractions of memories.

Different places in which we felt at home, various moments in which we felt marvelled. One of these memories is behind this design, a memory of a beautiful field in bloom with my loved ones around. Spots of colours and shades, translated into a graphical game of surfaces, textures and lines.

The top design, in vivid colours of day time, while the bottom design with less materialized colours, and sharper lights of an evening time.

The mountains of my childhood:

We all recently were confined in our houses and brutally were reminded of the most important values of our lives. This period brought me back to this naïve like drawing of the mountains. The colourful and warm palette, the handmade sketch brings back a childhood simplicity and joy. Yet, it stays clean and elegant and does not suggest a childlike illustration but rather a dream like open landscape.

In the Bush

I leave in Paris, as many cities in the world it is dense, polluted and lacking nature. Our environment is something we all share, and a green environment, rich in natural vegetation can ensures a rich biodiversity, reduces air pollution, reduce noise, cool down the air, turn our lives in the city more sustainable, agreeable and healthy. Aspiring to more sustainable cities, I transported my impression of the wood to the collection. If it can’t always be the trees themselves, let it be their poetic memory on our façade.

“Study Nature, love Nature, stay close to Nature. It will never fail you.” –  Frank Lloyd Wright, architect.

 

 

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Visualizing the Invisible appears in Open Window

Thank you Open Windows for sharing information about our project “Visualizing the Invisible”

http://memoire-a-venir.org/in2visible_en.html

 

Drawings by Tal Waldman – Talva D. and Fiona Morehouse

#memoiredelavenir #in2visible #talwaldman_talva_d #VisualizingTheInvisible #mindfulart #fionamorehouse #artresearch #art #Article

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Tal Waldman:Komorebi – A new article in The Culturium

A new article in a great blog- The Culturium, about my work in chapter 9 of our ongoing collaborative research “Visualizing the Invisible” Thank you Paula Marvelly!

Tal Waldman: Komorebi

 

Tal Waldman: Komorebi

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A new publication in The Culturium

Thank you to Paula Marvelly from the Culturium for this publication from mai 3 2020!

Tal Waldman: Directed Randomness

 

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In(2)Visible ongoing Research

In(2)Visible ongoing Research

Making transparent our collaborative way of ART MAKING and ART SHARING, we are two artists separated by geographical distance, committed to documenting our year long RESEARCH on ART and MINDFULNESS. Exposing our most intimate observations, our mission is to VISUALIZE THE INVISIBLE through a JOURNEY INTO SILENCE.

Blog : in2visible.com

Facebook page : In2visible.blog

Instagram page : in2.visible

Paris,
Inner Sight,
N5 : Observing
240420
Ink, pigments and water pencils on paper, 30x40cm

Our documented research in its raw vulnerable journal-like shape, highlights the PROCESS and opens to a dynamic conversation rather than a final product. Our BLOG invites you into our journey through alternating insights and artwork by Paris-based artist TAL WALDMAN and American artist FIONA MOREHOUSE.

In FEBRUARY / MARCH: I started GENIUS LOCI (8 chapters) / Searching for the invisible essence of the mountains, the genius loci, I practice repetitive drawings of the same situations while exercising patient observation. Meanwhile Fiona is Seeking in TAP ROOT  to illuminate the essence of the inner landscape,and guidance from the trees.
In APRIL / MAY : (6 chapters) – Entering the tragic period of confinement du to the Covid19 pandemic, I sense the need to structure the research by examining common qualities of art making and inner work; turning to SACRED SYMBOLS. MeanwhileFiona : EXPOSURE (3 chapters) / Through immersive nature studies, a passageway between worlds is discovered.
In MAY / JUNE : In COLOURS VIBRATORY RELATIONSHIP (8 chapters) , the strong ‘Tree of life’ symbol bring me to put aside the form and concentrate on simultaneous contrast between pairs of colours, examining their interaction to each other and to me. Meanwhile Fiona is reconnecting with the theme of ‘As Above, So Below’, to Alchemy with the 3 essentials of the universe

…….And the research continue……..

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